↳ Bonkers / mutated
THE CAGE
A provocation of contrasts. Rebellious pleating dressed in a geometric cage that laughs.
A pleated t-shirt that flowed with no rules — and the irresistible joke of dressing it in an exoskeleton. The body moves and the structure laughs: the piece doesn’t want to be comfortable, it wants to be seen arguing with itself. A spectacular ergonomic error, and a chosen one.
For the cage to be charming and not look like a rag, every fixing point is a calculation — where it grips, where it lets go, where it lets the pleating breathe. I explored the absurd on screen until I knew it could still be worn on the street. The anomaly is the form; the discipline is behind it.
